False Color directly in Lightroom
I’ve said it a million times, the tools used in the video industry are simply better than the tools we use for photography. I bet that every hybrid shooter would
I’ve said it a million times, the tools used in the video industry are simply better than the tools we use for photography. I bet that every hybrid shooter would
It seems that every few years, I write an updated version of the Film Grain Emulation article. I do this because my passion drives me to learn more, and my
As a photographer, if there is one thing I despise when editing my photos, it is jumping between multiple editing apps with one single photo and ending up with duplicate
You heard it right – No Photoshop required! This has been in the back of my mind for quite a while now. I’ve seen multiple times requests for this feature
I might have stumbled upon something huge by mistake because Color Response Curves take emulating film colors to a whole new level All this time, we were all using presets
It has been a bit over a year since my first article about film grain. And I thought that that was it and that I’d dug more in-depth than most
Continue reading…The rabbit hole of adding grain to digital photos gets even deeper (part 2)
There is a huge difference between saving all your settings when you are done with an image and carefully crafting a preset that will be useful for others. Our shooting
When it comes to art, there are a million and one decisions to be made. What aspect ratio would better fit the story you are trying to tell? What colors
While discussing grain or film emulation on digital files is fun I think there is one thing we as photographers don’t do enough and that is breaking down a photo