If you’ve ever watched one of my tutorials, you know I’m obsessed with finding ways to edit faster in Lightroom. I want to avoid having to jump to Photoshop just
Continue reading…5 Advanced Lightroom Tools – for your editing workflow
As a photographer, if there is one thing I despise when editing my photos, it is jumping between multiple editing apps with one single photo and ending up with duplicate
Continue reading…You’re Not Using Lightroom Presets to Their Full Power
You heard it right – No Photoshop required! This has been in the back of my mind for quite a while now. I’ve seen multiple times requests for this feature
GoPros are great action cameras, but we photographers, tend to use them as behind-the-scenes cameras. GoPro cameras have revolutionized the way we capture action-packed moments. And while they were originally
I think by now we are all familiar with the term practical light. But have ever wanted to have a light in frame attached to your model in your creative
Is your white light actually white? Or does it have a green tint? So imagine this: You got your first LED light…. or third… it’s a nice one, it has
Continue reading…Easy way to check for color shifting in your lights
I never had a lens with a focusing tab and I wanted to give it a try. Today, out of curiosity, I designed and 3D-printed a focusing tab for my
Continue reading…IS THE FOCUSING TAB A SECRET OF LEICA SHOOTERS?
This article is not just for my fellow Nikon DSLR users but for all the lens nerds out there! I know there aren’t many DSLR users left around but let’s
Continue reading…If your Helios doesn’t have swirly bokeh, this might be the cause.
I might have stumbled upon something huge by mistake. All this time we were all using presets that use all the tools in Lightroom to emulate the look of certain
Continue reading…COLOR RESPONSE CURVES -Emualte any film in Lightroom
It has been a bit over a year since my first article about film grain. And I thought that that was it and that I’d dug more in-depth than most
Continue reading…The rabbit hole of adding grain to digital photos gets even deeper (part 2)